Thursday, August 22nd, 2024

Reverie Road
with Winifred Horan, John Williams, Katie Grennan and Utsav Lal

Reverie Road is a fresh, eclectic Celtic supergroup, featuring fiddler Winifred Horan and accordionist John Williams (founding Solas members) alongside former Gaelic Storm fiddler Katie Grennan and Jazz and Raga pianist Utsav Lal (Young Steinway Artist). This powerful combination is made up of four of today’s leading traditional and virtuosic folk artists who have captured the hearts of international audiences from studios to stages over the last three decades. Firmly grounded in their collective Irish roots, Reverie Road embraces humor with musical insight and natural abilities. Original textural adventures weave the roots of Irish musical traditions with new departures and curated gems including distilled airs, continental waltzes, and upbeat reels and jigs. The band chemistry of two accomplished classically-trained fiddlers who share a common history as award winning Irish dancers along with two instrumentalists who have sought to redefine traditional accompaniment and rhythm sections amount to a compelling concert experience that will lift audiences’ hearts and have them on their feet.

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Friday, August 9th, 7:00pm

The Murphy Beds
Eamon O'Leary & Jefferson Hamer

5th Maine Museum, Peaks Island
Suggested donation $20, free for folks under 18 and over 80

Eamon O’Leary and Jefferson Hamer (aka The Murphy Beds) present traditional and original folk songs with close harmonies and deft instrumental arrangements on bouzouki, guitar, and mandolin. In 2021 they released their second album, titled “Easy Way Down”, which The Irish Echo called “an incredible collection of songs delivered with grace and ease.” They have toured extensively throughout Europe and North America, with performances at the Kennedy Center for the Performing Arts in Washington, D.C., Alaska Folk Festival, Milwaukee Irish Festival, WGBH Boston’s Celtic Sojourn, Doolin Folk Festival (Ireland), and Unamplifire Festival (London).

Eamon and Jefferson began playing together at traditional music sessions in New York City. They shared an interest in collecting, arranging, and performing songs from Irish, American, Scottish, and English traditions. As they began to collaborate — first in larger ensembles, but most enduringly as a duo — they also recognized an affinity for other more contemporary idioms. Whatever the source — songs of the Irish travelers, Arkansas spirituals, or their own compositions — their arrangements feature the same carefully wrought interplay of voices and strings.

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